At the1955 Cannes Film Festival "Marty" Won The Palme d'Or and Grace Kelly Met Her Prince

The Cannes Film Festival opens tonight amid a circus of directors, producers, studio executives, talent agents, sales reps, paparazzi, mimes and street performers, film critics (who isn't?), provincial tourists by the tens of thousands – and, of course, genuine movie stars and would-be stars from every country and every strata of the film business.

At the 1955 festival the mood was less frenzied, though still festive. Then, as now, film royalty from Sophia Loren to Grace Kelly to Brigitte Bardot descended on the Riviera to show off their wares.



It was a great year to be in Cannes:

Jeanne Moreau attended for the first time.

The first Palmes d'Or were handed out. Before that the top prize was called the Grand Prix.

The inaugural Palme d'Or went to Delbert Mann's Marty.

American films were strongly represented at the festival. Direct from Hollywood: Elia Kazan's East of Eden, John Sturges's Bad Day at Black Rock, Otto Preminger's Carmen Jones, Edward Dmytryk's The End of the Affair, George Seaton's The Country Girl, and Marty.

The U.K.'s Daily Mail reported that Sophia Loren was the most photographed star at Cannes in 1955. If so, she faced stiff competition from the likes of Bardot, Kelly, and Gina Lollabrigida.

Dino Risi, Vittorio de Sica, and Carol Reed also brought films to Cannes in 1955.

Grace Kelly, whose The Country Girl screened in competition, was introduced to Prince Rainier at the Carlton Hotel. A year later they were married.

Melina Mercouri traveled to Cannes for the Michael Cacoyannis film Stella and met her future husband, the director Jules Dassin. Dassin was named best director for his in-competition Rififi.

Other notables at Cannes in 1955: Gene Kelly with Betsy Blair, Silvana Mangano, Esther Williams, Olivia de Haviland, the French actors Eddie Constantine, Jean-Pierre Aumont, Nadia Gray, and directors Otto Preminger, Jean Renoir, Nicholas Ray.

The beloved novelist Marcel Pagnol served as president of the jury. Also on the jury: director Anatole Litvak, short filmmaker Juan Antonio Bardem (the uncle of actor Javier Bardem), and French playwright Marcel Achard, who would write the 1962 comedy l'Idiot on which the second Pink Panther film A Shot in the Dark was based.

Fifty-five years and another lifetime ago!

The Annals of Luxury: AMC, Loews, Regal, and Cinemark Are the New Status Brands

Movies may be the next category to make the leap to luxury status. And cinema chains are doing all they can to make that happen.

Movie theaters are doing better than ever, even in these recessionary times.

What recession? Cinema owners are dancing all the way to the bank!

It's not that more people are going to see films – attendance has hovered in the 1.4-1.5 billion admissions range since 1998 – it's that they're paying more for them.

A movie ticket went for as much as $16.50 at some New York theaters, enabling the domestic boxoffice to reach $10.6 billion last year, up from $9.6 billion in 2008.

Filmgoers are going to see even higher prices, if cinema owners have their way.

Taking advantage of the unprecedented popularity of the 3D hits Avatar and Alice in Wonderland, exhibitors are imposing more price hikes to coincide with the opening this week of How to Train Your Dragon, another 3D animated divertissement.

The Wall St. Journal reported that an AMC theater outside of Boston raised its prices more than 20% to $17.50 from $14.50 a week earlier. A Seattle multiplex is now charging $11 for conventional films – up from $10 – and $15 for a 3D film, up from $13.50.

The price of a 3D Imax showing of Dragon jumped dramatically to $19.50 from an already not-exactly-a-bargain $16.50 at New York's AMC Loews Kips Bay.

None of this takes into account the cost of city center parking, babysitters, or popcorn – which, with 1,200 calorie and 60 grams of saturated fat for a large tub, isn't good for you.*

But wait! Exhibitors have come up with an even more effective means of separating you from your money.

Movie theaters offering gourmet food and at-your-seat service are springing up in Pasadena, Calif, the aspirational Buckhead section of Atlanta, Kansas City, and elsewhere across the nation.

These so-called "dine-in" cinemas offer full bars and meals prepared in on-site kitchens by trained chefs, a far cry from the high school kids who sling hot dogs at concession counters.

At the Gold Class Cinemas in Pasadena, the "seasonal" menu ranges from blue cheese potato chips and wagyu beef burgers to portabello sliders and house made beignets for dessert.

(Of course while you, beloved readers, know what a beignet is, how many regular filmgoers can describe one? And surely they mean American crossbred with Angus Wagyu beef, not the authentic, milder Japanese Wagyu. But we digress.)

Gold Class also features a cocktail of the month. Currently it's a Ginger Collins, consisting of Bombay Sapphire Gin and something called Canton Ginger Liqueur, plus strawberries and sour mix. (We're not making this up, we assure you.)

Dinner for two plus drinks, tax and tip costs around $75 and does not include tickets, which for How to Train Your Dragon are $22 or $29 each.

And you didn't believe us when we said that going to the movies is now a luxury item?

*According to The Center for Science in the Public Interest. Their recent study showed that the coconut oil used by Regal Cinemas, the nation's largest chain, and AMC Cinemas resulted in extremely high levels of saturated fat in popcorn. By contrast the non-hydrogenated canola oil used by Cinemark reduced calories by about 25% and saturated fat by a much healthier 90% per large tub.

The Enlightened Traveler: Venice With Julie Christie in the Winter

As we grew up and still live in Southern California – where it can be 80º on Christmas day – our idea of a winter vacation has very little to do with Hawaii, the Caribbean, or (with the exception of Rio de Janeiro) anyplace tropical.

What is more romantic than Venice in the winter?

Au contraire! We enjoy donning our toasty Loro Piano cashmere scarves and sweaters to go shopping and museum hopping in Paris, London, or New York during November or December.

We also like taking long afternoon walks on the deserted, gray beaches of Cape Cod, then snuggling by the fireplace on a long January's night.

Thus, it does not at all seem odd to suggest that now is a wonderful time to visit Venice, Italy. Or so we read in the estimable Financial Times.

Who can resist Venice when described like this?

Even on the dullest days the lagoon has an opalescent glow, and there are times in late February when the light has an almost African brilliance and a clarity you don’t find at any other time of year, when the snow-covered Dolomite peaks 100 miles to the north appear in the shimmering sky over the lagoon.

Or like this:

Venice becomes a different place [in winter]. The sense of this ancient, decaying city as a slightly sinister labyrinth – unforgettably captured in the 1973 film "Don’t Look Now" – comes to the fore.

Okay! We're checking the flight schedules right now. You can read the FT's article in full right here.

As for Nicolas Roeg's memorable movie, a '70s favorite, what wouldn't we have done back then to be in Venice with the incandescent Julie Christie?

Or with Susan Anspach, radiant and unattainable in Paul Mazursky's still enjoyable Blume in Love, a good deal of which takes place in a fog shrouded Venice?

Or with the ambrosial Daniela Bianchi (at right) in the great second Bond film, From Russia With Love, which starts in Turkey and concludes in Venice (with nary a stop in the Soviet Union) as the evil Rosa Krebb (the original Frau Farbissener, Lotte Lenya) gets the drop on Bond, and holds him at gunpoint, but the gun is knocked away by Romanova (Bianchi)?

Klebb releases her poisoned toe-spike (ouch!), but Bond pins her to the wall with a dining chair. Romanova grabs the gun and shoots Klebb. Riding in a gondola, Bond throws the compromising film of him and Romanova into the water, and they sail away. Whew!

There are many more memorable movies set in Venice: Summertime (noteworthy because Katharine Hepburn falls into the Grand Canal) and A Little Romance (starring the adorable, unknown Diane Lane and the much less adorable Laurence Olivier), to name just two.

And speaking of Laurence Olivier, remember him as Neil Diamond's elderly cantor father in the misguided 1980 remake of The Jazz Singer? Diamond, in the role of Yussel Rabinovitch (we kid you not!), utters this memorable line of dialogue on the phone to Sir Laurence: "I can't go to synagogue tonight, Pop. I have to cut a record." (Oy!)

All of which brings us to something called The Maori Merchant of Venice.

We discovered this unlikely gem when researching this post. It's a 2002 New Zealand film adaptation of Shakespeare's play in the Maori language, utilizing mostly Maori actors. The film recreates the costumes and settings of 16th century Venice.

Incredible as it seems, the picture got impressive reviews. Alas, it's not available here even on Netflix.

Fortunately, we'll aways have Venice in the winter.

For more winter trips, read our post on Paris at the holidays.

Black and white photo of Venice: Beetle

Things Not Available in the U.S.: Philips 21:9 True Widescreen TV

A few years ago, you were in the vanguard if your TV had a 16:9 aspect ratio screen. Today, that's the norm, allowing you to watch most movies more or less in their original format.

But if you want to watch widescreen movies at home, you have to put up with those annoying black bars at the top and bottom of the screen.


Philips has solved this problem with the introduction of its 56 in. Cinema 21:9 HDTV, the first set with the same spectacular 2.35:1 aspect ratio as today's biggest films. Think Michael Mann's new Public Enemies or Harry Potter and the Half-Blood Prince.

The set also has a record number of pixels, at 8.3 million. To get the full benefit you'll want to play movies recorded on Blu-ray discs.

Philips hasn't set a release date yet. They have announced the price, about US$7,400.

The British TechRadar website said: "Four and a half grand [in UK£] is a lot of money, but then this is, in every sense, a lot of telly.

"If you are serious about video quality and have a substantial budget, then this set should be at the very top of your list."

The review added that the picture quality is "remarkable."

Sadly, Philips says they won't be selling the TV in the U.S. or Canada. Just in Europe for now.

Read more here.

Those Were the Glory Days!

The Cannes festival started on Wednesday night. We look back at the Cannes that was.

...And One More From Cannes Past

Warren Beatty and Natalie Wood at the Cannes Festival in 1962